全球领先的新经济产业第三方数据挖掘与分析机构
关于“车载音响”的报告
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艾媒咨询|2021年中国在线音乐车载端应用价值探析专题研究报告
本报告研究涉及企业/品牌/案例：酷我音乐，QQ音乐，网易云音乐，酷狗音乐，咪咕音乐
iiMedia Research(艾媒咨询)数据显示，2020年中国数字音乐用户规模已达到7.7亿人。在线音乐行业用户渗透率高，但整体增长缓慢。因此随着车联网市场发展加快，技术应用加强，车载场景成为头部平台重要布局方向。总体而言，车载端在线音乐用户更为成熟、月均收入更高，且对同一平台的使用粘性高，用户质量较好，因此更有利于平台挖掘其潜在的商业价值。另一方面，车载端场景导致用户在产品使用上与移动端存在差异性，因此头部在线音乐平台车载端技术应用加强也有利于提升用户体验。总体上，在线音乐车载端发展对平台及用户都具有重要价值，市场也处于不断扩大的过程中。
As the data of iiMedia Research showed, User Scale of Digital Music Industry in China has reached 770 million in 2020. The overall growth of online music user scale is slow even though its penetration rate is high. Therefore, with the rapid development of the Internet of Vehicle market and the strengthening of technology application, vehicle scene has become an important layout direction of the head platforms. In general, vehicle users of online music industry are more mature, with higher average monthly income, high stickiness to the user of the same platform, and better user quality, so it is more conducive to tap the potential commercial value of the platform. On the other hand, vehicle scene lead to the different usage experience compared to the one with mobile terminals. Therefore, strengthening the application of the technology in vehicles by head online music platforms is also conducive to improving the user experience. On the whole, the development in the vehicles of online music products has important value to the platforms as well as the users, and the market is also in the process of expanding. -
艾媒咨询 | 2025年中国车载音乐市场发展状况与消费者调查数据
当前，中国车载音乐市场正处于快速发展的增长期，其核心驱动力来源于汽车智能化浪潮下年轻消费者群体的旺盛需求。根据全球领先的新经济产业第三方数据挖掘和分析机构iiMedia Research（艾媒咨询）最新发布的《2025年中国车载音乐市场发展状况与消费者调查数据》显示，2025年中国车载音乐市场规模为350.8亿元，2025年车联网的渗透率为77%。随着智能座舱普及及流媒体服务深化，付费订阅和个性化推荐成为行业盈利关键。未来，伴随5G和车联网技术发展，车载音乐将与生活场景更紧密结合，市场潜力持续释放。
在2025年中国消费者收听车载音乐渠道中，占比前三的渠道分别是链接手机蓝牙播放（43.74%）、自己下载的车载软件（40.40%）和车载预装软件（38.41%）。在音质需求方面，用户最看重多样化的音效选择（66.91%），其次为优化音乐的层次感和空间感（46.35%），以及确保流畅播放（37.58%）。这表明，当前中国车载音乐市场正处于“设备融合”与“品质升级”的关键阶段。手机蓝牙与车载软件共同构成收听主渠道，反映了用户对跨设备便捷性与原车生态的双重依赖。同时，用户对音质的需求已超越基础稳定性，转向对个性化音效与沉浸式听觉体验的深度追求，这为软件功能优化与硬件适配提出了明确方向。
艾媒咨询分析师认为，未来中国车载音乐市场将加速向“全场景智能听觉服务”演进。随着车辆智能座舱与物联网生态的深度融合，音乐服务将深度嵌入行车场景，实现基于地理位置、驾驶状态甚至乘客情绪的智能推荐与自适应音效调节。音质体验将持续升级，结合空间音频技术与个性化声学配置，为用户打造沉浸式“移动音乐厅”。同时，内容形态将更趋互动化与社交化，车载K歌、多乘客协同播放、跨终端音乐接力等创新功能将普及，使车载音乐从单向收听转变为连接人、车、生活的核心数字娱乐枢纽。
At present, the Chinese in-car music market is in a period of rapid growth, with the core driving force coming from the strong demand of young consumers in the wave of automotive intelligence. According to the latest "2025 China In-Car Music Market Development Status and Consumer Survey Data" released by iiMedia Research (iimedia research), a leading third-party data mining and analysis agency for the new economy industry, the scale of the Chinese in-car music market will reach 35.08 billion yuan in 2025, and the penetration rate of the Internet of Vehicles will be 77% in 2025. With the popularization of intelligent cabins and the deepening of streaming media services, paid subscriptions and personalized recommendations have become the key to industry profitability. In the future, with the development of 5G and Internet of Vehicles technology, in-car music will be more closely integrated with life scenarios, and market potential will continue to be released.
In 2025, the top three channels for Chinese consumers to listen to in-car music are playing via Bluetooth connection to mobile phones (43.74%), self-downloaded in-car software (40.40%), and pre-installed in-car software (38.41%). In terms of audio quality requirements, users value diverse audio effect options the most (66.91%), followed by the optimization of music's layering and spatial sense (46.35%), and ensuring smooth playback (37.58%). This indicates that the current Chinese in-car music market is at a critical stage of "device integration" and "quality upgrade". The combination of mobile phone Bluetooth and in-car software constitutes the main channels for listening, reflecting users' dual dependence on cross-device convenience and the original vehicle ecosystem. At the same time, users' demands for audio quality have gone beyond basic stability, turning towards a deeper pursuit of personalized audio effects and immersive auditory experiences, which provides a clear direction for software function optimization and hardware adaptation.
Analysts from iiMedia Research believe that in the future, the Chinese in-car music market will accelerate its evolution towards "all-scenario intelligent auditory services". With the deep integration of vehicle intelligent cabins and the Internet of Things ecosystem, music services will be deeply embedded in driving scenarios, achieving intelligent recommendations and adaptive audio effect adjustments based on geographical location, driving status, and even passenger emotions. Audio quality experiences will continue to upgrade, combining spatial audio technology and personalized acoustic configurations to create immersive "mobile music halls" for users. At the same time, content forms will become more interactive and social, with innovative functions such as in-car karaoke, multi-passenger collaborative playback, and cross-terminal music relay becoming widespread, transforming in-car music from one-way listening to a core digital entertainment hub connecting people, vehicles, and life. -
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艾媒咨询 | 2025年中国线下KTV市场消费行为调查数据
随着线下娱乐业态的加速升级，KTV消费场景呈现多元化发展趋势，主要覆盖以智能点歌系统、沉浸式体验设备为代表的技术革新领域，以生日派对、企业团建为核心的社交聚会领域，以及结合餐饮定制、主题包厢等增值服务的复合消费领域。根据全球新经济产业第三方数据挖掘和分析机构iiMedia Research（艾媒咨询）最新发布的《2025年中国线下KTV市场消费行为调查数据》数据显示，56.34%的消费者选择线下KTV作为主要娱乐方式。在消费频率上，48.60%的消费者选择“偶尔”前往，而月均消费2-3次的群体占比达54.17%，反映出中低频次仍是主流。社交属性显著影响用户行为，51.81%的消费者偏好与朋友同行，6-10人规模的聚会占比最高（43.47%），显示其作为群体社交场景的核心地位。从消费偏好来看，44.86%的消费者选择2-3小时的黄金消费时长，单次消费集中在101-300元区间。曲库选择呈现代际特征，流行歌曲和90年代经典构成核心歌单，折射出消费者怀旧与潮流并存的消费心理。尽管41.25%的消费者将KTV作为娱乐放松的首选，但行业仍面临挑战。48.28%的消费者因“新兴娱乐方式增多”分流需求，同时40.42%的用户指出隔音效果差是最大痛点。硬件设施与环境优化成为首要改进方向。艾媒咨询分析师认为，行业需重点强化差异化竞争力：通过升级沉浸式音响设备、优化空间隔音设计提升体验，同时开发主题包厢、餐饮融合等增值服务以增强用户粘性。此外，针对年轻群体偏好灵活匹配时段定价策略，结合智能点歌系统优化歌单推荐算法，或将成为线下KTV突围新兴娱乐业态竞争的关键路径。
With the accelerated upgrading of offline entertainment formats, KTV consumption scenes show a diversified development trend, mainly covering the field of technological innovation represented by intelligent song on-demand systems and immersive experience equipment, the social gathering field with birthday parties and enterprise group construction as the core, and the composite consumption field combining value-added services such as catering customization and theme boxes. According to the latest "Survey data of consumer behavior in China's offline KTV market in 2025" released by iiMedia Research, a third-party data mining and analysis institution in the global new economy industry, 56.34% of consumers choose offline KTV as their main entertainment mode. In terms of consumption frequency, 48.60% of consumers choose to go "occasionally", while the group that consumes 2-3 times per month accounts for 54.17%, reflecting that the medium and low frequency is still the mainstream. Social attributes significantly affect user behavior, 51.81% of consumers prefer to walk with friends, and 6-10 people scale parties account for the highest proportion (43.47%), showing its core status as a group social scene. From the perspective of consumption preference, 44.86% of consumers choose 2-3 hours of gold consumption time, and a single consumption is concentrated in the 101-300 yuan range. The selection of the music library presents the characteristics of generations, and the popular songs and the classics of the 1990s constitute the core playlist, reflecting the consumer psychology of nostalgia and trend. Although 41.25% of consumers regard KTV as their first choice for entertainment and relaxation, the industry still faces challenges. 48.28% of consumers due to the "increase in emerging entertainment" diversion demand, while 40.42% of users pointed out that the poor sound insulation effect is the biggest pain point. Hardware facilities and environment optimization become the primary improvement direction. iiMedia Research believe that the industry needs to focus on strengthening the competitiveness of differentiation: by upgrading immersive audio equipment, optimizing space sound insulation design to enhance the experience, while developing value-added services such as theme boxes and catering integration to enhance user stickiness. In addition, for the young group preference flexible matching time pricing strategy, combined with the intelligent song request system to optimize the song list recommendation algorithm, or will become the key path for offline KTV to break through the emerging entertainment industry competition. -
艾媒咨询|2021H1中国在线音频产业运行监测调研报告
本报告研究涉及企业/品牌/案例：喜马拉雅，Clubhouse，蜻蜓FM，荔枝
随着线上娱乐发展以及音频技术的创新，以及线上音频社交的逐渐兴起，在线音频行业受到广大用户的关注。iiMedia Research(艾媒咨询)数据显示，2020年中国在线音频用户规模达5.7亿人，预计2022年整体用户规模达到6.9亿人。目前，在线音频行业正向全生态发展，内容布局也不断拓展广泛，未来在线音频行业将逐渐精细化，头部平台将更有机会提供优质资源，在未来竞争中获得先机。
With the development of online entertainment, the innovation of audio technology and the gradual rise of online audio social networking, the online audio industry has attracted the attention of the majority of users. According to iimedia research, the number of online audio users in China will reach 570 million in 2020, and the overall number of users is expected to reach 690 million in 2022. At present, the online audio industry is developing towards the whole ecology, and the content layout is also expanding widely. In the future, the online audio industry will be gradually refined, and the head platform will have more opportunities to provide high-quality resources and take the lead in the future competition. -
艾媒咨询|2020-2021年中国在线音频行业研究报告
本报告研究涉及企业/品牌/案例：云听，荔枝，蜻蜓FM，喜马拉雅，懒人听书，中文在线，掌阅，阅文听书，果麦文化，讯飞配音，Clubhouse，Tiya
经过多年发展，中国在线音频行业覆盖用户规模不断扩大。且基于音频的伴随性特点，在线音频平台覆盖的中高收入和年长用户群体较多。iiMedia Research(艾媒咨询)数据显示，中国在线音频40岁以上用户占比11.9%，月收入在10000以上的用户比例也达到27.5%。面对该部分人群，在线音频平台需要输出更多优质内容，用户方面，目前超九成受访在线音频用户也表示有必要提升目前音频平台栏目的内容质量。面对用户诉求，现阶段主流在线音频平台积极推出优质栏目和科教文化内容，同时延伸其他载体渠道的经典IP，让用户能够在音频渠道接触更多优质内容。
After years of development, China online audio industry covers a growing number of users. Based on the accompanying characteristics of audio, online audio platform covers more high-income and elderly users. As the data of iiMedia Research showed, 11.9% of China online audio users are over 40 years old, and 27.5% of the users have monthly income of more than 10000. For these users, the online audio platform needs to produce more high-quality content. In terms of users, more than 90% of the online audio users interviewed also said that it is necessary to improve the content quality of the current audio platform columns. In the face of user demands, the mainstream online audio platform at this stage actively promotes high-quality columns and scientific, educational and cultural content, and extends the classic IP of other carrier channels, so that users can contact more high-quality content in the audio channel. -
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