艾媒咨询 | 2024年中国电视剧行业消费行为调研分析报告

电视剧已成为现代生活不可或缺的娱乐方式，全球新经济产业第三方数据挖掘和分析机构iiMedia Research（艾媒咨询）最新发布的《2024年中国电视剧行业消费行为调研分析报告》数据显示，34.03%的观众观看电视剧时间占空闲时间的比例为40%-60%，24.09%的观众则有20%-40%的空闲时间用于观看电视剧。在剧情偏好方面，动作冒险类（33.45%）、爱情都市类（33.27%）以及悬疑警匪类（32.91%）剧集尤为受到观众青睐。至于观剧平台的选择，头部平台优势明显，腾讯视频与爱奇艺占据了市场的较大份额。艾媒咨询分析师认为，目前电视剧观众的剧情偏好呈现出多元化的特点。制片方与剧组应当摒弃一味追求高流量和同质化的传统思维，鼓励多题材作品的繁荣发展，并依据不同平台的受众特征进行精准投放，以实现内容与平台的最佳匹配。
TV series have become an indispensable entertainment mode in modern life. According to the latest "2024 China TV drama industry consumer behavior research analysis report" released by iiMedia Research, a third-party data mining and analysis institution in the global new economy industry, 34.03% of the audience watch TV series accounted for 40%-60% of their free time, and 24.09% of the audience spend 20%-40% of their free time watching TV series. In terms of plot preference, action-adventure series (33.45%), love-city series (33.27%) and suspense police series (32.91%) were particularly favored by viewers. As for the choice of viewing platforms, the head platform has obvious advantages, and Tencent Video and iQiyi occupy a large share of the market. Analysts from IImedia Consulting believe that the current drama audience preferences show diversified characteristics. Producers and crews should abandon the traditional thinking of blindly pursuing high traffic and homogenization, encourage the prosperity and development of multi-theme works, and accurately deliver according to the audience characteristics of different platforms, so as to achieve the best match between content and platforms.

艾媒咨询|2020年中国在线音乐演出市场专题研究报告

在疫情影响和下线音乐平台多渠道布局地推动下，中国在线音乐演出市场规模快速发展，2020上半年中国在线音乐演出观看的用户规模已经突破8000万。疫情期间，在线音乐演出行业面临着机遇和挑战，如何更好地吸引、留存用户和探索盈利模式成为重中之重。目前中国在线音乐演出行业仍然是以免费模式为主，从而更好地吸引增量用户，挖掘潜在消费者，同时，平台也开始尝试通过在线音乐演出创新新演出模式、节目元素，宣传旗下新艺人等。免费模式之后下一步是探索在线音乐演出的付费模式，以真正实现在线音乐演出的产业化、专业化、规模化发展。iiMedia Research(艾媒咨询)数据显示，更多00后用户的表现出了对线上演出地喜爱，00后在线音乐演出用户TGI达109.7;同时64.6%的受访者表示在线音乐演出已成为其休闲娱乐的重要方式。未来，各在线音乐平台将继续整合资源，加紧布局。

Driven by the impact of the Covid-19 and the multi-channel layout of offline music platforms, China’s online performance market has grown rapidly. In the first half of 2020, the scale of online performances users in China has exceeded 80 million. During the epidemic, the online performance industry is facing opportunities and challenges. How to better attract and retain users and explore profit models has become a top priority. At present, China’s online performance industry is still dominated by the free model, so as to better attract users and tap potential consumers. At the same time, platforms also begin to try to innovate new performance modes and program elements and promote its new artists through online music performances, After the free model, the next step is to explore the paid model to truly realize the industrialization, professionalization and large-scale development of online performances industry. As the data of iiMedia Research showed, post-00 users show more love for online performances, and the TGI of post-00 online music performance users reached 109.7. Besides, 64.6% of the respondents said that online performances had become an important way of entertainment during the epidemic. In the future, online music platforms will continue to integrate resources and step up their deployment.

艾媒报告 |2019-2022全球及中国主题公园运行大数据及行业升级趋势报告

本报告研究涉及企业\品牌\案例：迪士尼集团，默林娱乐，华侨城集团，宋城演艺，长隆集团，海昌集团，华强方特，六旗集团，雪松会娱乐公司，海洋世界娱乐集团，团聚公司集团，环球影城，曲江文旅，光线传媒，迪士尼魔法王国，上海迪士尼乐园，东京迪士尼海洋，迪士尼未来世界，迪士尼好莱坞，爱宝乐园，香港海洋公园，迪士尼加州冒险乐园，美国冒险岛，乐天世界，长岛温泉公园

全球旅游市场的蓬勃发展刺激了全球主题公园产业发展，但主题公园基本形成寡头竞争格局，迪士尼和默林娱乐的游客接待量明显最高；中国方面，2018年华侨城、华强方特、长隆三大主题公园集团增涨幅度最大。iiMedia Research（艾媒咨询）研究发现，为保持持续竞争力，主题公园着力打造多种IP形成品牌效应，保持品牌及IP的持续竞争力。但是目前，中国主题公园主要来自门票收入，二次消费贡献度低，因此，主题公园开拓“尖叫经济”“快乐经济”“夜间经济”卖点，逐步实现景区向度假区综合体的转变，以延长游客的停留时长、刺激游客二次消费。另外，艾媒咨询分析师认为，主题公园是拉动当地经济、建构城市名片的有效途径，部分城市积极发展主题公园并且开始探索度假综合体等的转变路径，例如，上海迪士尼、广东长隆等。

The booming global tourism market has stimulated the development of the global theme park industry, but the meme parks basically formed an oligarchic competition pattern, Disney and Merlin Entertainments received significantly the highest number of visitors, and in China, the three major theme park groups of Overseas Chinese City, Huaqiang Fangte and Changlong increased the most in 2018. IiMedia Research research found that in order to remain competitive, theme parks focus on building multiple IP-forming brand ingress soneffects to maintain the continued competitiveness of brands and IP. But at present, China's theme parks mainly from ticket revenue, secondary consumption contribution is low, therefore, the meme parks to explore the “scream economy“ “happy economy“ “night economy“ selling point, and gradually realize the transformation of scenic spots to resort complex, in order to extend the length of stay for tourists, stimulate tourists to spend twice. In addition, Ai Media Consulting analysts believe that theme parks are an effective way to stimulate the local economy, the construction of city business cards, some cities actively develop theme parks and began to explore vacation complexes and other transformational routes, such as Shanghai Disney, Guangdong Changlong and so on.