艾媒咨询 | 2025年中国车载音乐市场发展状况与消费者调查数据

当前，中国车载音乐市场正处于快速发展的增长期，其核心驱动力来源于汽车智能化浪潮下年轻消费者群体的旺盛需求。根据全球领先的新经济产业第三方数据挖掘和分析机构iiMedia Research（艾媒咨询）最新发布的《2025年中国车载音乐市场发展状况与消费者调查数据》显示，2025年中国车载音乐市场规模为350.8亿元，2025年车联网的渗透率为77%。随着智能座舱普及及流媒体服务深化，付费订阅和个性化推荐成为行业盈利关键。未来，伴随5G和车联网技术发展，车载音乐将与生活场景更紧密结合，市场潜力持续释放。
在2025年中国消费者收听车载音乐渠道中，占比前三的渠道分别是链接手机蓝牙播放（43.74%）、自己下载的车载软件（40.40%）和车载预装软件（38.41%）。在音质需求方面，用户最看重多样化的音效选择（66.91%），其次为优化音乐的层次感和空间感（46.35%），以及确保流畅播放（37.58%）。这表明，当前中国车载音乐市场正处于“设备融合”与“品质升级”的关键阶段。手机蓝牙与车载软件共同构成收听主渠道，反映了用户对跨设备便捷性与原车生态的双重依赖。同时，用户对音质的需求已超越基础稳定性，转向对个性化音效与沉浸式听觉体验的深度追求，这为软件功能优化与硬件适配提出了明确方向。
艾媒咨询分析师认为，未来中国车载音乐市场将加速向“全场景智能听觉服务”演进。随着车辆智能座舱与物联网生态的深度融合，音乐服务将深度嵌入行车场景，实现基于地理位置、驾驶状态甚至乘客情绪的智能推荐与自适应音效调节。音质体验将持续升级，结合空间音频技术与个性化声学配置，为用户打造沉浸式“移动音乐厅”。同时，内容形态将更趋互动化与社交化，车载K歌、多乘客协同播放、跨终端音乐接力等创新功能将普及，使车载音乐从单向收听转变为连接人、车、生活的核心数字娱乐枢纽。
At present, the Chinese in-car music market is in a period of rapid growth, with the core driving force coming from the strong demand of young consumers in the wave of automotive intelligence. According to the latest "2025 China In-Car Music Market Development Status and Consumer Survey Data" released by iiMedia Research (iimedia research), a leading third-party data mining and analysis agency for the new economy industry, the scale of the Chinese in-car music market will reach 35.08 billion yuan in 2025, and the penetration rate of the Internet of Vehicles will be 77% in 2025. With the popularization of intelligent cabins and the deepening of streaming media services, paid subscriptions and personalized recommendations have become the key to industry profitability. In the future, with the development of 5G and Internet of Vehicles technology, in-car music will be more closely integrated with life scenarios, and market potential will continue to be released.
In 2025, the top three channels for Chinese consumers to listen to in-car music are playing via Bluetooth connection to mobile phones (43.74%), self-downloaded in-car software (40.40%), and pre-installed in-car software (38.41%). In terms of audio quality requirements, users value diverse audio effect options the most (66.91%), followed by the optimization of music's layering and spatial sense (46.35%), and ensuring smooth playback (37.58%). This indicates that the current Chinese in-car music market is at a critical stage of "device integration" and "quality upgrade". The combination of mobile phone Bluetooth and in-car software constitutes the main channels for listening, reflecting users' dual dependence on cross-device convenience and the original vehicle ecosystem. At the same time, users' demands for audio quality have gone beyond basic stability, turning towards a deeper pursuit of personalized audio effects and immersive auditory experiences, which provides a clear direction for software function optimization and hardware adaptation.
Analysts from iiMedia Research believe that in the future, the Chinese in-car music market will accelerate its evolution towards "all-scenario intelligent auditory services". With the deep integration of vehicle intelligent cabins and the Internet of Things ecosystem, music services will be deeply embedded in driving scenarios, achieving intelligent recommendations and adaptive audio effect adjustments based on geographical location, driving status, and even passenger emotions. Audio quality experiences will continue to upgrade, combining spatial audio technology and personalized acoustic configurations to create immersive "mobile music halls" for users. At the same time, content forms will become more interactive and social, with innovative functions such as in-car karaoke, multi-passenger collaborative playback, and cross-terminal music relay becoming widespread, transforming in-car music from one-way listening to a core digital entertainment hub connecting people, vehicles, and life.

艾媒咨询 | 2025年中国线下KTV市场消费行为调查数据

随着线下娱乐业态的加速升级，KTV消费场景呈现多元化发展趋势，主要覆盖以智能点歌系统、沉浸式体验设备为代表的技术革新领域，以生日派对、企业团建为核心的社交聚会领域，以及结合餐饮定制、主题包厢等增值服务的复合消费领域。根据全球新经济产业第三方数据挖掘和分析机构iiMedia Research（艾媒咨询）最新发布的《2025年中国线下KTV市场消费行为调查数据》数据显示，56.34%的消费者选择线下KTV作为主要娱乐方式。在消费频率上，48.60%的消费者选择“偶尔”前往，而月均消费2-3次的群体占比达54.17%，反映出中低频次仍是主流。社交属性显著影响用户行为，51.81%的消费者偏好与朋友同行，6-10人规模的聚会占比最高（43.47%），显示其作为群体社交场景的核心地位。从消费偏好来看，44.86%的消费者选择2-3小时的黄金消费时长，单次消费集中在101-300元区间。曲库选择呈现代际特征，流行歌曲和90年代经典构成核心歌单，折射出消费者怀旧与潮流并存的消费心理。尽管41.25%的消费者将KTV作为娱乐放松的首选，但行业仍面临挑战。48.28%的消费者因“新兴娱乐方式增多”分流需求，同时40.42%的用户指出隔音效果差是最大痛点。硬件设施与环境优化成为首要改进方向。艾媒咨询分析师认为，行业需重点强化差异化竞争力：通过升级沉浸式音响设备、优化空间隔音设计提升体验，同时开发主题包厢、餐饮融合等增值服务以增强用户粘性。此外，针对年轻群体偏好灵活匹配时段定价策略，结合智能点歌系统优化歌单推荐算法，或将成为线下KTV突围新兴娱乐业态竞争的关键路径。
With the accelerated upgrading of offline entertainment formats, KTV consumption scenes show a diversified development trend, mainly covering the field of technological innovation represented by intelligent song on-demand systems and immersive experience equipment, the social gathering field with birthday parties and enterprise group construction as the core, and the composite consumption field combining value-added services such as catering customization and theme boxes. According to the latest "Survey data of consumer behavior in China's offline KTV market in 2025" released by iiMedia Research, a third-party data mining and analysis institution in the global new economy industry, 56.34% of consumers choose offline KTV as their main entertainment mode. In terms of consumption frequency, 48.60% of consumers choose to go "occasionally", while the group that consumes 2-3 times per month accounts for 54.17%, reflecting that the medium and low frequency is still the mainstream. Social attributes significantly affect user behavior, 51.81% of consumers prefer to walk with friends, and 6-10 people scale parties account for the highest proportion (43.47%), showing its core status as a group social scene. From the perspective of consumption preference, 44.86% of consumers choose 2-3 hours of gold consumption time, and a single consumption is concentrated in the 101-300 yuan range. The selection of the music library presents the characteristics of generations, and the popular songs and the classics of the 1990s constitute the core playlist, reflecting the consumer psychology of nostalgia and trend. Although 41.25% of consumers regard KTV as their first choice for entertainment and relaxation, the industry still faces challenges. 48.28% of consumers due to the "increase in emerging entertainment" diversion demand, while 40.42% of users pointed out that the poor sound insulation effect is the biggest pain point. Hardware facilities and environment optimization become the primary improvement direction. iiMedia Research believe that the industry needs to focus on strengthening the competitiveness of differentiation: by upgrading immersive audio equipment, optimizing space sound insulation design to enhance the experience, while developing value-added services such as theme boxes and catering integration to enhance user stickiness. In addition, for the young group preference flexible matching time pricing strategy, combined with the intelligent song request system to optimize the song list recommendation algorithm, or will become the key path for offline KTV to break through the emerging entertainment industry competition.

艾媒咨询 | 2025年中国音乐行业市场消费行为调查数据

随着智能算法推荐与多终端协同技术的深度融合，音乐应用生态呈现多维渗透态势，显著覆盖以流行乐、国风音乐为主的个性化内容消费领域，以通勤健身、睡前助眠为代表的场景化体验领域，以及云Live互动、社交共享等创新娱乐领域。在技术驱动下，音乐产业正构建起“内容+场景+社交”的三维价值体系。根据全球新经济产业第三方数据挖掘和分析机构iiMedia Research（艾媒咨询）最新发布的《2025年中国音乐行业市场消费行为调查数据》数据显示，现代音乐（含流行音乐）以63.27%的偏好占比领跑用户音乐类型选择，反映出大众对主流文化内容的高接受度。终端设备数据显示，手机以49.24%的绝对优势主导用户入口，QQ音乐则以35.90%的活跃占比稳居平台竞争榜首。值得注意的是，社交功能使用率达71.80%，其中52.12%的用户倾向与好友共享音乐内容，体现“音乐+社交”模式的强大吸引力。付费领域呈现两极分化，49.65%用户选择“偶尔付费”，而音质升级（31.10%）与云Live演出（满意度70.70%）成为主要付费驱动力。但行业仍存显著痛点：短视频板块因内容同质化遭遇29.58%用户负面评价，付费意愿受限于免费资源充足性（38.16%）与价格敏感度（30.34%），云Live则面临画质延迟（43.81%）、互动单一（34.69%）等技术体验瓶颈。艾媒咨询分析师认为，平台需强化差异化内容供给，通过AI音效优化与XR技术升级重塑沉浸式体验，同时构建阶梯式付费体系与社交激励机制，在保障基础服务普惠性的同时深挖垂直场景商业价值。
With the deep integration of intelligent algorithm recommendation and multi-terminal collaborative technology, the music application ecology presents a multidimensional penetration trend, significantly covering the personalized content consumption field dominated by pop music and Chinese music, the scene experience field represented by commuting fitness and bedtime sleep, and the innovative entertainment field such as cloud Live interaction and social sharing. Driven by technology, the music industry is building a three-dimensional value system of "content + scene + social". According to the latest "Survey data of Chinese music industry market consumption behavior in 2025" released by iiMedia Research, a third-party data mining and analysis institution in the global new economy industry, modern music (including pop music) leads the user's music type choice with 63.27% preference. It reflects the high acceptance of mainstream cultural content by the public. Terminal device data show that mobile phones dominated the user entrance with an absolute advantage of 49.24%, and QQ music ranked first in the platform competition with an active proportion of 35.90%. It is worth noting that the usage rate of social functions reached 71.80%, of which 52.12% of users tend to share music content with friends, reflecting the strong appeal of the "music + social" model. The payment space is polarized, with 49.65% of users choosing to "pay occasionally", while audio quality upgrades (31.10%) and Cloud Live shows (70.70% satisfaction) are the main payment drivers. However, the industry still has significant pain points: the short video sector suffered 29.58% negative comments from users due to content homogenization, the willingness to pay was limited by the adequacy of free resources (38.16%) and price sensitivity (30.34%), and Cloud Live faced technical experience bottlenecks such as picture quality delay (43.81%) and single interaction (34.69%). Analysts from Imedia Consulting believe that the platform needs to strengthen the supply of differentiated content, reshape the immersive experience through AI sound optimization and XR technology upgrade, and build a stepped payment system and social incentive mechanism, so as to deeply dig the business value of vertical scenes while ensuring the inclusiveness of basic services.

艾媒咨询 | 2025年中国说唱音乐市场消费行为调查数据

中国说唱音乐市场近年来呈现出快速增长的趋势，这主要得益于年轻消费群体对说唱音乐的极高热情。根据全球新经济产业第三方数据挖掘和分析机构iiMedia Research（艾媒咨询）最新发布的《2025年中国说唱音乐市场消费行为调查数据》数据显示，有超过半数的说唱爱好者愿意为说唱音乐付费，反映出该市场潜力较大。其中，付费意愿最高的是数字专辑和参加音乐节，占比分别为51.55%和41.61%。同时，华语（标准国语）以54.45%的占比成为最受欢迎的说唱音乐语言，华语（地区方言）以48.86%的占比紧随其后，反映出华语类说唱音乐在中国的广泛受众基础。随着说唱音乐的流行，品牌合作、版权收入和衍生品销售成为主要收入来源，品牌对说唱音乐的青睐度不断提升，未来说唱音乐与品牌、影视、游戏等领域的合作将更加紧密，商业价值将进一步挖掘。
In recent years, the Chinese rap music market has shown a trend of rapid growth, which is mainly attributed to the extremely high enthusiasm of the young consumer group for rap music. According to the latest "Survey data on consumption behavior in China's Hip-Hop music market in 2025" released by iiMedia Research, a third-party data mining and analysis institution in the global new economy industry, more than half of rap music enthusiasts are willing to pay for rap music, reflecting the great potential of this market. Among them, the highest willingness to pay is for digital albums and attending music festivals, accounting for 51.55% and 41.61% respectively. At the same time, Chinese (Standard Mandarin) has become the most popular language in rap music with a proportion of 54.45%, and Chinese (regional dialects) follows closely with a proportion of 48.86%, reflecting the broad audience base of Chinese rap music in China. With the popularity of rap music, brand cooperation, copyright income, and derivative product sales have become the main sources of revenue. Brands' favorability towards rap music is continuously increasing. In the future, the cooperation between rap music and fields such as brands, film and television, and games will be closer, and the commercial value will be further explored.

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